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Sunday 19 June 2011

Book: The Prodigy — Electronic Punks

A "reissue of the very first biography of the world's biggest hard dance / rock act", "with a new introduction by Liam Howlett", published in 2010, written by Martin Roach.

The book gives a close-up and personal view of the early years of The Prodigy — about their coming into existence, about their mindsets of relentless extending of musical scope, of being punks in the sense of doing things their own ways, actively avoiding stardom, being slightly at odds with the authorities, and making music for the sake of feeling excited and making others feel excited. And about fun (and not so fun) incidents along the way.

I really resonate with The Prodigy's music and with their live shows, and I'm also interested in musicmaking myself, and I really enjoyed reading this book and understanding better the background of The Prodigy (especially the first half of the book — the second was also alright, but I got the main insights already from the first half).

So, if you like The Prodigy and would also like to understand them better, then I highly recommend this book.

Btw, the author Martin Roach also seems to be quite an interesting and slightly nonconformist guy who has become friends with The Prodigy (as well as with many other bands) and deeply cares about what he's writing about.

The book is available directly from Martin's publishing company Independent Music Press: http://www.impbooks.com/music-books/The-Prodigy---The-Official-Story/Electronic-Punks.-The-Early-Years-1988-1994/101

Sunday 8 November 2009

Book: Creative Recording 1, Effects and Processing (2nd edition)

cover_CreativeRecording1.jpg

A book by Paul White, from 2003. Gives a good introductory practically oriented overview of:

  • the mixing console,
  • patching and patchbays,
  • equalizers,
  • enhancers,
  • compressors,
  • limiters,
  • gates and noise reduction,
  • panning and positioning,
  • digital delay effects,
  • reverberation,
  • multi-effects,
  • MIDI (very briefly),
  • software plug-in basics,
  • production effects,
  • and surround sound concepts.

Note that the emphasis is on effects and processing, so topics like microphones are NOT covered in that particular book (which is only part 1 of a series).

The target audience of the book is beginners and intermediates, but the reader is treated with full respect and at no point did I get a feeling of the content being dumbed down too much (obviously, the book doesn't cover every possible aspect of the topics, but this is fully understandable). It might even be that those readers who have no technical background might find the content not be the best match with their baseline and taste, but, correspondingly, the more enjoyable it is to the technically inclined audience. I definitely found the book to be very educative for me.

More info at Amazon: http://www.amazon.com/dp/1860744567